![]() ![]() With the supplementary content Swift is providing with her revival of “Red” - aptly released in autumn - such as her infamous “Easter eggs,” the short film and music video, I feel like the lucky one. This sound creates cohesion among the versatile album, which features pop experimentation with “22 (Taylor’s Version)” and “Holy Ground (Taylor’s Version)” slow ballads with “Sad Beautiful Tragic (Taylor’s Version)” and “The Last Time (Taylor’s Version)” and classic country with songs she had originally written for other artists: “Better Man (Taylor’s Version) (From the Vault)” and “Babe (Taylor’s Version) (From the Vault).” The songs from the vault, numerous as they may be, seem indispensable to the rest of the album. The re-recorded songs offer a nuanced sound that perfectly captures the melancholy of a mature Swift looking back on a time of raw, red emotion. Chris Stapleton) (Taylor’s Version) (From the Vault)” directed by the lovely Blake Lively, “Red (Taylor’s Version)” was all I wanted and more. (Definitely not clever wordplay worthy of Swift’s lyrical skill, but she is known to appreciate puns!) With nine never-released songs “from the vault,” a star-studded short film for “All Too Well (10 Minute Version) (Taylor’s Version) (From the Vault)” and an eventual music video for “I Bet You Think About Me (feat. ![]() A post shared by Taylor Swift Swift’s recent release may be titled after her signature color, red, but the artist’s latest remastering of her records is musical gold. ![]()
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