![]() #Real wild child the outsiders movieThe cover by Wakefield appeared in the movie EuroTrip and its soundtrack.Īn up-tempo rock version of the song (titled as ''Real Wild Child'') was covered by the fictional band Josie and the Pussycats (lead vocals provided by singer Kay Hanley) in the 2001 film of the same name. A cover by Christopher Otcasek appeared on the soundtrack to the film Pretty Woman. Other artists to record this song include Status Quo, Everlife, The Runaways, Joan Jett & the Blackhearts, Marshall Crenshaw, Brian Setzer, Lee Rocker, Teenage Head, Albert Lee and Wakefield. A further version, "Real Wild Child (Wild One)" was recorded by British guitarist, Albert Lee, on his 1982 self-titled album. It was recorded and released as "Real Wild Child" by Jet Harris, former bassist with the Shadows, in 1962 on Harris' self-titled EP. His version also appears in the 1989 motion picture and soundtrack album for Great Balls of Fire!, Nowhere Boy, and The Complete Novel edition of The Outsiders. "Wild One" was also recorded by Jerry Lee Lewis in 1958 but was not released until 1974 on Lee's album, Rockin' and Free. Retitled "Real Wild Child," the song became a moderate hit, peaking at No. In 1958, the song was released as a single by Jerry Allison, a member of the Crickets, using the name Ivan, with Buddy Holly backing him up on guitar. #Real wild child the outsiders downloadIt was released as a CD single and download on 19 July 2008 as a tribute to Johnny O'Keefe and peaked at number 56 on the ARIA Singles Chart. West Germany ( Official German Charts) Ī cover of the song was recorded again by Iggy Pop who teamed up with Aussie rockers Jet, titled "The Wild One". Part of the version was also used at the start of the Remix Edit of Iggy Pop's own song "Monster Men" from Space Goofs.Īustralia ( Australian Music Report) A clip for the song was used in the opening titles for ABC (Australian Broadcasting Corporation) music block, rage. The Iggy Pop version was featured in the film Problem Child and its sequel, Problem Child 2. 1 on the week of 21 June 1987, becoming Pop's biggest hit there. It also charted on the US Billboard Album Rock Tracks chart, peaking at No. In Canada it charted for 20 weeks despite never peaking higher than No. 10 hit on the UK Singles Chart in January 1987. Titled " Real Wild Child (Wild One)", this became a No. Iggy Pop included a cover of the song on his seventh studio album Blah-Blah-Blah (1986). Iggy Pop version "Real Wild Child (Wild One)" The song was the first Australian rock recording to reach the national charts, peaking at No. at the time, it did finally appear on a local compilation LP in the 70's and is now commonly available on various JOK CDs." Ignoring the crowd overdub at the start, both versions have a different intro and JOK's vocal on the foreign versions is noticeably wilder than on the EP version issued here… As far as I know, the US/UK single version which, IMHO, is markedly superior to our version, was never issued in Australia. "Festival liner notes have always put forward that the crowd overdub was the only difference. This version, ostensibly recorded live at the Sydney Stadium, was in fact a studio recording, overdubbed with the sound of a real audience.Īn alternate version was recorded and released outside Australia: in the United States (as "Real Wild Child") on Brunswick and in the UK on Coral. O'Keefe was the first artist to record it, on his debut EP Shakin' at the Stadium, released on the Festival label. The Living End performed the song at the 2008 APRA Awards to mark the anniversary. The band Jet and Iggy Pop recorded a cover version that was released to coincide with the 50th anniversary of the original release. The release date of the single, 5 July 1958, is considered the birth of Australian rock and roll. ![]() In an article by Clinton Walker that tries to answer the question, What was Australia’s first rock’n’roll record? the writer quotes Dee Jays’ saxophonist – and the song’s co-writer – John Greenan corroborating Casch’s account and elaborating upon it. Some of the dance patrons came to blows with wedding guests in the men's toilets, and within minutes the brawl had become a full-scale riot that spilled out into the street, with police eventually calling in the Navy Shore Patrol to help restore order. ![]() According to Casch, as O'Keefe and the Dee Jays played at an upstairs venue, an "Italian wedding" reception was taking place downstairs. According to O'Keefe's guitarist, Lou Casch, the song was inspired by an incident at a gig in Newtown, Sydney, in about 1957. ![]()
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